studiociba is Matteo Viti, a freelance graphic designer in Tuscany: brand identity, editorial design and motion graphics for culture, fashion and business.

build what you actually are.

I don’t build an image around you. I start from how you already work and draw a legible form out of it: a mark, a book, a system that holds up over time.

visual design, production and research: what we can make together.

brand identity & visual systems

Marks, type systems, colour palettes and application guidelines. I build identities that stay coherent and recognisable — made to last, and to work precisely on paper, on screens and in physical space.

logo & mark visual identity brand guidelines rebranding design system typography

editorial & fine printing

Art catalogues, monographs, books, packaging and special print work. From the grid to the choice of paper stock, through to meticulous control of print-ready files and special finishes.

art catalogues monographs layout packaging special finishes prepress

multimedia & sound design

2D motion design, video editing and audio composition for brands, campaigns and digital channels. Movement and sound are there to clarify the message and give the story its rhythm — never as decoration.

motion design 2d video editing sound design original scores

3d rendering & AI visual research

Product modelling in 3D, photorealistic compositing and generative visuals for campaigns and commercial content. I combine advanced visual research and rapid prototyping to build bespoke images, video and web interfaces.

rendering 3d compositing AI promotional imagery generative video sites & interfaces visual concepts

got a project in mind?
let’s give it form.

Whether it’s a visual identity, an editorial project or a multimedia production, tell me what you’re aiming for. We’ll work out timings, feasibility and the best direction together.

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or write to me at info@studiociba.com

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send your enquiry by email to info@studiociba.com

My name is Matteo Viti. I work in digital art and design, but I came to it through sound: twenty years of music production before I ever dealt with images.

It isn’t a closed chapter, it’s still the way I work. A visual identity is built the way a track is layered: you take out what is redundant and keep only what holds up to repeated listening.

The tools changed, the approach didn’t. What interests me about technology is what it lets you do, not what it promises: I use it a lot, I chase it very little.

The same goes for trends. The people who start them are usually good, the people who chase them arrive late — and I would rather work on things that age well.

That kind of work needs quiet, so I live in the Tuscan countryside, away from the noise of the city. It’s a choice, not a circumstance.